By Edward M. Hirsch | June 16, 2022
A hook shot kisses the rim and hangs there, helplessly, but doesn’t drop,
and for once our gangly starting center boxes out his man and times his jump
perfectly, gathering the orange leather from the air like a cherished possession
and spinning around to throw a strike to the outlet who is already shoveling
an underhand pass toward the other guard scissoring past a flat-footed defender
who looks stunned and nailed to the floor in the wrong direction, trying to catch sight
of a high, gliding dribble and a man letting the play develop in front of him
in slow motion, almost exactly like a coach’s drawing on the blackboard,
both forwards racing down the court the way that forwards should, fanning out
and filling the lanes in tandem, moving together as brothers passing the ball
between them without a dribble, without a single bounce hitting the hardwood
until the guard finally lunges out and commits to the wrong man
while the power-forward explodes past them in a fury, taking the ball into the air
by himself now and laying it gently against the glass for a lay-up,
but losing his balance in the process, inexplicably falling, hitting the floor
with a wild, headlong motion for the game he loved like a country
and swiveling back to see an orange blur floating perfectly through the net.
Edward M. Hirsch is an American poet and critic who wrote a national bestseller about reading poetry. He has published nine books of poems, including The Living Fire: New and Selected Poems (2010), which brings together thirty-five years of work, and Gabriel: A Poem (2014), a book-length elegy for his son that The New Yorker called “a masterpiece of sorrow.” He has also published five prose books about poetry. He is president of the John Simon Guggenheim Memorial Foundation in New York City.
Image: Fast break during a varsity high school basketball game, Anthony K. Lam
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